Daniel Barnes @ the SNR

Unlike the American-produced propaganda purveyed by Michael Bay, Peter Berg and Roland Emmerich, the Russian 3D IMAX epic Stalingrad smuggles a tender soul into the omnipresent CGI and Gladiator-style fight scenes. *You can’t spell “menigococcal” without McG. *Besides my film reviews, I also write about beer, as in […]

CLIPS – “L’ECLISSE”

Scorsese talks about Antonioni, placing him within the context of the era’s European “arthouse” cinema.  He also calls L’Eclisse the “boldest” of the three films, “less like a story and more like a poem.”  Naturally, Scorsese makes me ashamed for not liking the movie more. The opening credits of the […]

%d bloggers like this: