Fear (La Paura) (1954; Dir.: Roberto Rossellini) Grade: B+ By Mike Dub Italian Neo-Realist director Roberto Rossellini and Hollywood superstar Ingrid Bergman engaged in one of the most scandalous affairs of the 1950s. Each were married when they worked together for the first time on Stromboli (released in 1950), […]
La Notte (1961; Dir.: Michelangelo Antonioni) Grade: B By Mike Dub The second leg of Michelangelo Antonioni’s so-called “Alienation Trilogy” picks up pretty much where L’Avventura left off with La Notte. Though unrelated to its predecessor in plot, the themes and relationships circle the same areas: lovers don’t love […]
Ingmar Bergman wasn’t a huge fan, but he thinks Antonioni “made two masterpieces – Blow-Up and La Notte“: Roughly thirty-five to forty-five seconds after getting ridiculously baked backstage, The Passenger star Jack Nicholson presents Antonioni with an honorary Oscar at the 1995 Academy Awards. “In the empty silent […]
*Originally published on The Barnesyard blog on October 20, 2005. EXIT TO EDEN (1994; Dir.: Garry Marshall) GRADE: D- By Daniel Barnes If nothing else, Exit to Eden is an example of how attempting to play to every demographic only winds up making everyone unhappy. The film is […]
Jose Padilha’s shiny new PG-13 Robocop might just be the best Robocop we could expect right now. The Past is so unfocused on narrative immediacy that it evolves into an existential mystery before the viewer even comprehends it.
We continue our Antonioni’s Alienation Trilogy festival on Monday with Mike Dub’s review of the 1962 film “La Notte”, starring Jeanne Moreau and Marcello Mastroianni. Read Mike Dub’s festival review of La Notte.