Co-host of the Dare Daniel and Canon Fodder podcasts and a member of the San Francisco Bay Area Film Critics Circle.
A Poem is a Naked Person (1974/2015; Les Blank) GRADE: B+ By Daniel Barnes Documentarian Les Blank (Burden of Dreams) started shooting A Poem is a Naked Person in 1972 and completed it in 1974. However, the film was held up for decades by legal issues, and it’s […]
By Daniel Barnes and Mike Dub DANIEL: As I’ve stated many times, the real purpose of these festivals is to fill in some of my more glaring cinematic blind spots. In my festival intro, I mentioned that “I came a little bit late to the Dardenne brothers party,” […]
Magic Mike XXL (2015; Gregory Jacobs) GRADE: B- By Daniel Barnes Steven Soderbergh’s male stripper drama Magic Mike became a left-field hit in 2012, grossing over $100 million at the domestic box office against a budget of $7 million. Magic Mike cemented the star power of Channing Tatum, […]
The Son (2002; Luc and Jean-Pierre Dardenne) GRADE: B By Daniel Barnes In my festival intro, I mentioned that actor Jérémie Renier served as the Dardenne brothers’ “on-again, off-again muse,” a blonde-mopped personification of moral turpitude and financial desperation in modern-day Belgium. That argument still holds water, especially […]
Rosetta (1999; Luc and Jean-Pierre Dardenne) GRADE: A By Daniel Barnes There persists an idea that the Dardenne brothers create aimlessly verisimilar films, but now that I’m five movies deep into their filmography (deep enough to create my first Dardenne Brothers Power Rankings), it’s clear that they shrewdly […]
Rebels of the Neon God (1992: Tsai Ming-liang) GRADE: B+ By Daniel Barnes Festival circuit cinephiles revere Taiwanese auteur Tsai Ming-liang for films like Goodbye Dragon Inn, What Time is It There?, last year’s Stray Dogs, and Journey to the West (the slow-walking monk one, not the kung […]
