Fear (La Paura) (1954; Roberto Rossellini) Grade: B+ By Mike Dub Italian Neo-Realist director Roberto Rossellini and Hollywood superstar Ingrid Bergman engaged in one of the most scandalous affairs of the 1950s. Each was married when they worked together for the first time on Stromboli (released in 1950), […]
Exit to Eden (1994; Garry Marshall) GRADE: D- By Daniel Barnes *Originally published on The Barnesyard blog on October 20, 2005. If nothing else, Exit to Eden is an example of how attempting to play to every demographic will only wind up making everyone unhappy. The film is […]
By Mike Dub Steven Soderbergh, the eclectic filmmaker who helped launch the independent film movement of the 1990s, announced last year that he would be hanging up his viewfinder to pursue other interests. With his final picture, the HBO-released Liberace biopic Behind the Candelabra, tallying Golden Globe […]
Schizopolis (1996; Steven Soderbergh) Grade: A By Daniel Barnes Although nearly forgotten in the Soderbergh oeuvre, the playfully piercing absurdist comedy Schizopolis is his most personal and original work. Intensely aware of and yet utterly freed from cinematic conventions of storytelling and style, Schizopolis is like the product […]
L’Avventura (1960; Michelangelo Antonioni) Grade: B+ By Daniel Barnes You don’t need any cheeky and reductive “trilogy” categorizations to understand that L’Avventura is a film about the many forms of “modern” alienation. Every frame and narrative fragment reeks with moral disintegration and self-denial, and there many striking shots […]
Ballistic: Ecks vs. Sever (2002; Wych Kaosayananda) GRADE: D By Daniel Barnes *Originally published on The Barnesyard blog in September 2005. The first Dare Daniel challenge was no easy feat. Just saying the title out loud is believed to cause a new form of brain cancer. Ballistic: Ecks […]
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