By Daniel Barnes and Mike Dub DANIEL: First of all, Dub, I want to thank you for honoring my “no flats” policy for this festival wrap-up – I feel like the Palme d’Or calls for a little old-school glamour. As I wrote in my review of When Father […]
When Father Was Away on Business (1985; Emir Kusturica) GRADE: B By Daniel Barnes If you look at the recent history of the Cannes Film Festival, it’s pretty clear that for all of their emphasis on unique cinematic voices, there is a certain type of film that tends […]
Jauja (2015; Lisandro Alonso) GRADE: B- By Daniel Barnes More adventures in aspect ratios. Mommy director Xavier Dolan, Argentinean auteur Lisandro Alonso sees your 1:1 frame and raises you the rounded corners and stiff compositions of a 19th-century photograph. Viggo Mortensen stars as Gunnar Denisen, a Danish surveyor […]
Paris, Texas (1984; Wim Wenders) GRADE: B+ By Daniel Barnes These festivals are all about reducing my cinematic blind spots, so it is without (much) shame that I admit that Paris, Texas is the first non-documentary film I’ve seen by director Wim Wenders. That said, from my general […]
The Ballad of Narayama (1983; Shôhei Imamura) GRADE: A- By Mike Dub The opening image of Shôhei Imamura’s 1983 Palme d’Or winner The Ballad of Narayama is a somewhat anachronistic helicopter shot. We’re ushered deep into the mountainous recesses of the Japanese wilderness, a journey that reaches further […]
I Am Big Bird: The Carroll Spinney Story (2015; Dave LaMattina and Chad N. Walker) GRADE: B By Daniel Barnes A behind-the-scenes documentary about puppeteer Caroll Spinney, who played Big Bird (and Oscar the Grouch) for nearly fifty years. I Am Big Bird is a fascinating, open and […]
