La Collectionneuse (1967; Eric Rohmer) GRADE: B+ By Daniel Barnes Two-thirds of the way through Rohmer’s Six Moral Tales series, I feel that I know exactly what to expect from the French filmmaker, and yet still remain utterly mystified. In writing about his movies, I often feel like […]
L’ECLISSE (1962; Michelangelo Antonioni) GRADE: B- By Daniel Barnes As much as Antonioni stripped the narratives of L’Avventura and La Notte down to their bare essentials, those films had natural forward momentum and classic narrative shapes. L’Avventura takes on the basic structure of an unsolvable, Laura-like mystery, while […]
L’Avventura (1960; Michelangelo Antonioni) Grade: B+ By Daniel Barnes You don’t need any cheeky and reductive “trilogy” categorizations to understand that L’Avventura is a film about the many forms of “modern” alienation. Every frame and narrative fragment reeks with moral disintegration and self-denial, and there many striking shots […]
