Shock Corridor (1963; Samuel Fuller) GRADE: A By Daniel Barnes In his 1963 film Pierrot le Fou, Jean-Luc Godard cast B-movie deity Sam Fuller as a Fuller-esque partygoer who declares, “Film is like a battleground: love, hate, action, death…In one word, EMOTION.” It’s ostensibly a Godard line, but […]
The Holy Mountain (1973; Alejandro Jodorowsky) GRADE: A- By Daniel Barnes Where do you even begin to penetrate something as insane, and insanely inventive, as Jodorowsky’s psychedelic religious parable? Here is the plot synopsis offered by IMDB: “This film gives the omniscient view of what social engineering caused by […]
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