Tag: in theaters

“Blaze” Movie Review by Daniel Barnes

Blaze (2018: Ethan Hawke) GRADE: B+ By Daniel Barnes *Opens Friday, September 21, at the. Landmark Embarcadero and Sundance Kabuki in San Francisco and the Landmark Shattuck in Berkeley. Ethan Hawke gives the best performance of the year so far in my favorite film of 2018 so far […]

“Madeline’s Madeline” Movie Review by Daniel Barnes

Madeline’s Madeline (2018; Josephine Decker) GRADE: B+ By Daniel Barnes  *Opens Friday, August 24, at the Roxie Theater in San Francisco. Finally, something with some fucking guts! This is my first experience with the cinema of Josephine Decker (although I hear good things about Butter on the Latch and Thou Wast […]

“Generation Wealth” Movie Review by Daniel Barnes

Generation Wealth (2018; Lauren Greenfield) GRADE: C+ By Daniel Barnes *Opens Friday, July 27, at the Landmark Clay in San Francisco, the Landmark Shattuck in Berkeley and the Regency Cinemas 6 in San Rafael. The Queen of Versailles director and long-time documenter of conspicuous consumption Greenfield creates her […]

“Damsel” Movie Review by Daniel Barnes

Damsel (2018; David Zellner and Nathan Zellner) GRADE: C By Daniel Barnes *Opens Friday, June 29, at the Landmark Opera Plaza in San Francisco and the Landmark Shattuck in Berkeley. I was thoroughly under the sway of David Zellner’s 2015 breakthrough movie Kumiko the Treasure Hunter, I’m a huge fan […]

“Hearts Beat Loud” Movie Review by Daniel Barnes

Hearts Beat Loud (2018; Brett Haley) GRADE: C+ By Daniel Barnes *Opens Friday, June 15, at the Landmark Embarcadero in San Francisco and the Landmark Shattuck in Berkeley. Another snuggly non-movie from co-writer and director Brett Haley (I’ll See You in My Dreams and last year’s The Hero), this time about […]

“American Animals” Movie Review by Daniel Barnes

American Animals (2018; Bart Layton) GRADE: C By Daniel Barnes *Opens Friday, June 8, at the AMC Kabuki 8 and the Landmark Embarcadero Center Cinemas in San Francisco. Writer-director Bart Layton follows up his 2012 debut The Imposter, a documentary with dramatic tendencies about an older man pretending to […]