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“Lu Over the Wall” Movie Review by Daniel Barnes

Lu Over the WallLu Over the Wall (2018; Masaaki Yuasa)


By Daniel Barnes

*Opens Friday, May 11, at the Landmark Embarcadero in San Francisco and the Landmark California in Berkeley.

This rare stinker from animation importer GKIDS offers echoes of Studio Ghibli classics like My Neighbor Totoro and Ponyo, but contains little of the charm and none of the elegant character design of those films.

Mopey teen Kai lives in a quiet Japanese harbor town where humans and merfolk once lived in harmony, at least until an “old curse” inspired the humans to construct a wall that supposedly rendered the sea creatures extinct.  But when Kai gets recruited into joining a rock band, their song attracts the young and impetuous mermaid Lu, whose tail transforms into two wobbly legs whenever music plays.  Lu risks detection by joining the group as lead singer, and she bonds with Kai over their missing mothers, but a misunderstanding eventually threatens to reignite the curse.

There are a few lovely images and ideas in Lu Over the Wall, but the character design is ghastly, the movements are herky-jerky and the style is annoyingly inconsistent.  The meandering story, the irritating voice performances and the horrendous song score don’t help.

Read more of Daniel’s reviews at Dare Daniel and Rotten Tomatoes, and listen to Daniel on the Dare Daniel podcast.