Love in the Afternoon (1972; Eric Rohmer) GRADE: B+ By Mike Dub In each of his Six Moral Tales, Eric Rohmer presents a character at a different stage in his life, in various evolving stages of a relationship. Though basically unrelated, his films follow the evolution of a single love life […]
Time Without Pity (1957; Joseph Losey) GRADE: B By Mike Dub By the time Joseph Losey released Time Without Pity in 1957, the “named” communist had been living in exile from HUAC for five years, and had made four films that were released under pseudonyms. His previous directing credit, […]
My Night at Maud’s (1969; Eric Rohmer) GRADE: B+ By Mike Dub In describing Eric Rohmer’s My Night at Maud’s, the third and probably best-known of his Moral Tales, it is tempting to use terms that might sound somewhat condescending, or make the film seem trivial. “Novel,” “refreshing,” […]
By Mike Dub and Daniel Barnes MD: Going into this festival, I wanted to concentrate on the subgenres and archetypes of the movie psychiatrist, but after watching these three films, another thread struck me as being prominent to the psychotherapy film: the relationship between prestige and exploitation. All […]
The Piano Teacher (2001; Michael Haneke) GRADE: B By Mike Dub Throughout his well-regarded and controversial career, Michael Haneke has specialized in disturbing violence. With unnerving precision, Haneke unfurls stories that build delicately to sudden, shocking explosions of blood and death. In The Piano Teacher, based on a novel […]
Le Silence de la Mer (1949; Jean-Pierre Melville) GRADE: A- By Mike Dub “This film has no pretension of solving the problem of Franco-German relations, for they cannot be solved while the barbarous Nazi crimes, committed with the complicity of the German people, remain fresh in men’s minds.” – […]
