Screwball (2019; Billy Corben) GRADE: C+ By Daniel Barnes *Opens Friday, March 29, at the 4 Star Theater in San Francisco. Less a documentary than a feature-length piece of click-bait, the true-crime sports movie Screwball offers the most superficial look imaginable at the steroids scandal surrounding Alex Rodriguez […]
Dragged Across Concrete (2019; S. Craig Zahler) GRADE: B By Daniel Barnes *Now playing at the Rialto Cinemas Elmwood in Berkeley. Here comes another muscular but lumbering hunk of wheezing masculinity from Bone Tomahawk and Brawl in Cell Block 99 auteur S. Craig Zahler. This time, Vince Vaughn and Mel Gibson star […]
Babylon (1980; Franco Rosso) GRADE: B+ By Daniel Barnes *Now playing in theaters in New York and Los Angeles. Released for the first time in the United States, Italian-born, English-raised director Franco Rosso’s Babylon follows the Jamaican-born, English-raised members of fictional sound system group Ital Lion. Fronted by the […]
Birds of Passage (2019; Cristina Gallego and Ciro Guerra) GRADE: B By Daniel Barnes *Opens Friday, March 1, at the Opera Plaza 4 in San Francisco. Embrace of the Serpent director Guerra and first-timer Gallego deliver this strangely static but wholly unexpected and unusual gangster saga, purportedly “inspired by […]
Holiday (2019; Isabella Eklöf) GRADE: B By Daniel Barnes *Opens Friday, February 15, at the Roxie Theater in San Francisco. One of the screenwriters of the Oscar-nominated Border, Isabella Eklöf makes a stunning and disturbing directorial debut with Holiday, a sun-kissed travelogue of sexual violence on the Turkish Riviera. Victoria Carmen […]
By Daniel Barnes This is the ballot that I submitted for this year’s San Francisco Film Critics Circle awards. It should be noted that Madeline’s Madeline was nominated for our Special Citation Award, so I left it out of consideration for other awards. I also did not consider Mandy, which I […]
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