Shoplifters (2018; Hirokazu Koreeda) GRADE: B+ By Daniel Barnes When the domestic drama Shoplifters won the Palme d’Or last Summer at Cannes, right on the heels of a string of solid but same-ish domestic dramas from Japanese filmmaker Koreeda (including Like Father, Like Son, Our Little Sister and After the Storm), it seemed possible […]
Monrovia, Indiana (2018; Frederick Wiseman) GRADE: B By Daniel Barnes *Opens Friday, November 9, at the Landmark Opera Plaza in San Francisco and the Rialto Elmwood in Berkeley. Living legend Frederick Wiseman (In Jackson Heights; Ex Libris) brings his democratic approach to documentaries to the heart of Trump America in Monrovia, […]
By Daniel Barnes The 41st annual Mill Valley Film Festival kicked off last night with the California debuts of two awards-groveling biopics: Peter Farrelly’s TIFF Audience Award winner Green Book and Matthew Heineman’s A Private War. Over the next week-and-a-half, celebrities such as Carey Mulligan, Joel Edgerton and Maggie Gyllenhaal will breeze […]
The Song of Sway Lake (2018; Ari Gold) GRADE: C+ By Daniel Barnes *Opens Friday, September 21, at the Roxie Theater in San Francisco. Rory Culkin stars in this impressionistic but inconsistent drama as Ollie Sway, a disaffected disc jockey who returns to his family home on Sway […]
Blaze (2018: Ethan Hawke) GRADE: B+ By Daniel Barnes *Opens Friday, September 21, at the. Landmark Embarcadero and Sundance Kabuki in San Francisco and the Landmark Shattuck in Berkeley. Ethan Hawke gives the best performance of the year so far in my favorite film of 2018 so far […]
Madeline’s Madeline (2018; Josephine Decker) GRADE: B+ By Daniel Barnes *Opens Friday, August 24, at the Roxie Theater in San Francisco. Finally, something with some fucking guts! This is my first experience with the cinema of Josephine Decker (although I hear good things about Butter On the Latch and Thou Wast […]
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