Lucky (2017; John Carroll Lynch) GRADE: B- By Daniel Barnes *Opens Friday, October 6, at the Landmark Embarcadero in San Francisco and the Landmark Shattuck in Berkeley. Harry Dean Stanton headlines this tailor-made swan song, playing a nonagenarian coming to terms with his impending death in an oddball-filled desert […]
The Lost City of Cecil B. Demille (2017; Peter Brosnan) GRADE: B- By Daniel Barnes An amateurish but compelling documentary passion project from Brosnan, a low-level screenwriter who spent several decades obsessing over a piece of Hollywood history buried in the California sands. When Cecil B. DeMille filmed his […]
The Unknown Girl (2017; Luc and Jean-Pierre Dardenne) GRADE: B- By Daniel Barnes The Dardenne Brothers, those Belgian purveyors of austerity and despair, have always been a tough sell for mainstream audiences. Their films are so raw, so pure, so devoid of artifice and often so hopeless that […]
The Girl Without Hands (2017; Sébastien Laudenbach) GRADE: C+ By Daniel Barnes *Opens Friday, September 15, at the Roxie Theater in San Francisco. In this woozy adaptation of the Grimm Brothers fairy tale, a young girl is sold to the devil by her poor father in exchange for a […]
Whose Streets? (2017; Sabaah Folayan and Damon Davis) GRADE: B By Daniel Barnes *Opens Friday, August 11, at the Landmark Embarcadero in San Francisco and the Landmark California in Berkeley. A portrait of activism captured by activists, mostly focusing on street-level views of the 2014 protests in Ferguson, Missouri. […]
Columbus (2017; Kogonada) GRADE: C+ By Daniel Barnes A promising but arid directing debut from video essayist Kogonada, with a rare showcase role for John Cho and a potential breakout performance from Haley Lu Richardson (she played Hailee Steinfeld’s best friend in The Edge of Seventeen, as well […]
