“Tragedy Girls” Movie Review by Daniel Barnes

Tragedy Girls (2017; Tyler MacIntire) GRADE: C By Daniel Barnes *Opens Friday, November 3. Appealing newcomers Brianna Hildebrand and Alexandra Shipp headline this ghoulish and unfunny horror satire.  They play high school cheerleaders and lifelong “besties” with an unhealthily active interest in serial killers. In an attempt to expand […]

“Rat Film” Movie Review by Daniel Barnes

Rat Film (2017; Theo Anthony) GRADE: B- By Daniel Barnes *Opens Friday, October 27, at the Roxie Theater in San Francisco. Director Anthony makes his feature debut with this unconventional documentary about the persistent rat problem in Baltimore, as well as the connections between the thriving vermin and the […]

“78/52” Movie Review by Daniel Barnes

78/52 (2017; Alexandre O. Phillippe) GRADE: C- By Daniel Barnes *Opens Friday, October 27, at the Alamo Drafthouse at New Mission; now playing on VOD services. Superficial cinephilia from The People vs. George Lucas director Phillippe, a wide-ranging non-examination of the infamous shower scene from Psycho.  The title of 78/52 refers to the […]

“Dina” Movie Review by Daniel Barnes

Dina (2017; Antonio Santini and Dan Sickles) GRADE: B+ By Daniel Barnes *Opens Friday, October 20, at the Landmark Opera Plaza in San Francisco and the Landmark Shattuck in Berkeley. Dina is the best documentary of the year so far, and also the most touching love story. Directors Santini […]

Mill Valley Film Festival 40 Wrap-Up and Reviews

In recent years, I spent the first two weeks of October covering the Mill Valley Film Festival .  The festival celebrated its 40th anniversary this year, honoring the gamut of independent film, from star-heavy productions with awards in their sights (Sean Penn,  Greta Gerwig and Andrew Garfield were […]

“Ex Libris” Movie Review by Daniel Barnes

Ex Libris – The New York Public Library (2017; Frederick Wiseman) GRADE: B By Daniel Barnes *Opens Friday, October 13, at the Roxie Theater in San Francisco. Somewhere in the middle of this 44th feature-length Frederick Wiseman documentary, a typically sprawling and reflective look at the New York […]