By Daniel Barnes When you add up my weekly reviews in the Sacramento News & Review, my work here at E Street Film Society, and my contributions to other print and online publications, I penned nearly 200 published movie reviews in 2016. Whatever the results, I worked hard […]
Being 17 (2016; André Téchiné) GRADE: B By Daniel Barnes *Opens Friday, October 27, at the Landmark Opera Plaza in San Francisco and the Landmark Shattuck in Berkeley. Pampered, white, tentatively out teen Damien (Kacey Mottet Klein, who also starred in the MVFF39 offering Keeper) gets driven to […]
Hard-working director Pablo Larraín, who showed The Club at last year’s Mill Valley Film Festival, traveled to the Bay Area again this year to debut two new movies. There is tomorrow’s closing night selection Jackie, an English-language biopic about Jackie Kennedy set in the immediate aftermath of the […]
Lo and Behold, Reveries of the Connected World (2016; Werner Herzog) GRADE: C+ By Daniel Barnes *Opens Friday in San Francisco, Berkeley, Monterey, San Jose and San Rafael. From the “repulsive” corridors at UCLA where scientists invented the Internet to the gleaming surfaces of Elon Musk’s rocket lab, […]
Little Men (2016; Ira Sachs) GRADE: B- By Daniel Barnes With this melancholy number and 2014’s autumnal Love is Strange, the films of Ira Sachs are becoming the cinematic equivalent of rustling leaves. I’m sure that I don’t mean that as a compliment. While Little Men is a […]
Phantom Boy (2016; Jean-Loup Felicioli and Alain Gagnol) GRADE: B By Daniel Barnes *Opens Friday at the Landmark Opera Plaza in San Francisco and the Landmark Shattuck in Berkeley. The New York-based independent distributor GKIDS is becoming as sure a sign of quality animated cinema as Pixar or […]
