The Zero Theorem (2014; Terry Gilliam) GRADE: C+ By Daniel Barnes In the opening shots of Terry Gilliam’s cheeky sci-fi dystopia The Zero Theorem, a bald, naked, future man studies the churning menace of a black hole on a large computer screen in an abandoned church. All the […]
Little Richard (2000; Robert Townsend) GRADE: D By Daniel Barnes *NOTE: This review was originally published on The Barnesyard in 2006. “Gentile, Quasi-Inspiring Treatment” Hollywood biopics are less filmed biographies than they are hagiographies. There is an assumption that every story should be “inspiring”, even if the subject […]
Capricious Summer (1968; Jiri Menzel) GRADE: B By Daniel Barnes For some reason, I watched Capricious Summer thinking it was the predecessor to writer-director-actor Jiri Menzel’s more polished Closely Watched Trains. Instead, this bawdy and cluttered but raggedly beautiful comedy was Menzel’s follow-up to Closely Watched Trains, which […]
Kapo (1960; Gillo Pontecorvo) GRADE: B+ By Daniel Barnes At the age of 17, I saw Schindler’s List in the movie theater along with everyone else and loved it along with everyone else. I never revisited the Spielberg film, but I remain somewhat suspicious of my affection for […]
The Killing of a Chinese Bookie (1976; John Cassavetes) GRADE: B- By Daniel Barnes Like most of John Cassavetes’ movies, his meditative 1976 crime film The Killing of a Chinese Bookie opens on what appears to be a random moment. When I watched Faces for the first time […]
By Daniel Barnes *Originally published on the Movie City USA blog on August 21, 2007 [w/updated comments at the end] “He makes Hollywood feel better about itself.” -David Thomson, The New Biographical Dictionary of Film I think that Thomson means this not just in the sense that Ron […]
