The Unknown Girl (2017; Luc and Jean-Pierre Dardenne) GRADE: B- By Daniel Barnes The Dardenne Brothers, those Belgian purveyors of austerity and despair, have always been a tough sell for mainstream audiences. Their films are so raw, so pure, so devoid of artifice and often so hopeless that […]
By Daniel Barnes and Mike Dub DANIEL: As I’ve stated many times, the real purpose of these festivals is to fill in some of my more glaring cinematic blind spots. In my festival intro, I mentioned that “I came a little bit late to the Dardenne brothers party,” […]
The Son (2002; Luc and Jean-Pierre Dardenne) GRADE: B By Daniel Barnes In my festival intro, I mentioned that actor Jérémie Renier served as the Dardenne brothers’ “on-again, off-again muse,” a blonde-mopped personification of moral turpitude and financial desperation in modern-day Belgium. That argument still holds water, especially […]
Rosetta (1999; Luc and Jean-Pierre Dardenne) GRADE: A By Daniel Barnes There persists an idea that the Dardenne brothers create aimlessly verisimilar films, but now that I’m five movies deep into their filmography (deep enough to create my first Dardenne Brothers Power Rankings), it’s clear that they shrewdly […]
La Promesse (1996; Luc and Jean-Pierre Dardenne) GRADE: B+ By Mike Dub In the hands of the right filmmakers, adolescence provides fertile ground for exploring the conditions that shape society. Far from just the finite crises of finding acceptance, achieving arbitrary victories, beating up a bully, and losing […]
When 25-year-old French Canadian auteur Xavier Dolan accepted a Jury Prize at last May’s Cannes Film Festival, he told jury chair Jane Campion, “Your Piano made me want to write roles for women…beautiful women with soul and will and strength, not victims, not objects.” Saturday at the Mill […]
