By Daniel Barnes This is the ballot that I submitted for this year’s San Francisco Film Critics Circle awards. It should be noted that Madeline’s Madeline was nominated for our Special Citation Award, so I left it out of consideration for other awards. I also did not consider Mandy, which I […]
Shoplifters (2018; Hirokazu Koreeda) GRADE: B+ By Daniel Barnes When the domestic drama Shoplifters won the Palme d’Or last Summer at Cannes, right on the heels of a string of solid but same-ish domestic dramas from Japanese filmmaker Koreeda (including Like Father, Like Son, Our Little Sister and After the Storm), it seemed possible […]
Monrovia, Indiana (2018; Frederick Wiseman) GRADE: B By Daniel Barnes *Opens Friday, November 9, at the Landmark Opera Plaza in San Francisco and the Rialto Elmwood in Berkeley. Living legend Frederick Wiseman (In Jackson Heights; Ex Libris) brings his democratic approach to documentaries to the heart of Trump America in Monrovia, […]
The Song of Sway Lake (2018; Ari Gold) GRADE: C+ By Daniel Barnes *Opens Friday, September 21, at the Roxie Theater in San Francisco. Rory Culkin stars in this impressionistic but inconsistent drama as Ollie Sway, a disaffected disc jockey who returns to his family home on Sway […]
Blaze (2018: Ethan Hawke) GRADE: B+ By Daniel Barnes *Opens Friday, September 21, at the. Landmark Embarcadero and Sundance Kabuki in San Francisco and the Landmark Shattuck in Berkeley. Ethan Hawke gives the best performance of the year so far in my favorite film of 2018 so far […]
Heartbeeps (1981; Allan Arkush) – Dare Daniel Podcast Episode 16 “These friendly robots are obviously not mischievous trespassers.” Banana daiquiri expert Daniel Barnes and lumber (and its profitable by-products) specialist Corky McDonnell rip open a couple of bags of beers to discuss Allan Arkush’s indelibly disturbing 1981 family […]
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