Staying Vertical (2017; Dir.: Alain Guiraudie)
By Daniel Barnes
*Opens Friday, March 3, at the Roxie Theater in San Francisco.
Alain Guiraudie’s self-contained, cryptic, borderline pornographic, Hitchcock-goes-homoerotic Stranger by the Lake was a jaw-dropping breakthrough in 2013/2014, but it was actually the sixth feature film for the 52 year-old French writer-director. Staying Vertical is his highly anticipated follow-up (it premiered last summer at Cannes), and anyone bothered by the elliptical nature of Stranger by the Lake will be driven mad by this strange and inscrutable squirm. A fractured and scowling narrative that alternates pitiless darkness with the elements of a rollicking comedy, Staying Vertical follows Léo (Damien Bonnard), a drifting screenwriter dodging his obligations in the French countryside. Léo shacks up with and impregnates a sheep-herding single mother, but when he can’t commit to a life together, she abandons him with the baby and her disturbed father. Guiraudie frequently abandons the audience in the story – we drift in and out of the narrative just as Léo drifts in and out of people’s lives – but for all of the film’s self-infatuated drifting, it also offers no shortage of deeply disturbing show-stopper sequences, peaking with a scene in which Léo tenderly sodomizes an old man to death while prog rock blasts in the background. That’s not something you simply watch and forget.