By Daniel Barnes
*Opens Friday, November 17, at the Roxie Theater in San Francisco.
The best documentary of the year so far, a harrowing, sweeping, intelligent, dynamic and elegantly constructed montage about the Los Angeles riots of 1992. LA 92 begins with footage from the racially charged Watts riots of 1965 and proceeds to build a strong cast of root causes for the inevitable sequel, with racial inequality, police brutality and economic insecurity receiving plum, above-the-title roles. An intensifying anger finally found its release after two high-profile cases of racially motivated violence against African-Americans – first the senseless murder of teenager Latasha Harlins by an Asian store clerk, then the horrific beating of Rodney King by four white policemen – resulted in revolting injustice. Much of this territory was covered in last year’s epic O.J.: Made in America, and we’ll presumably see many of those same iconic clips (e.g., the Rodney King beating, and the assault on Reginald Denny) in John Ridley’s just-released Let It Fall: Los Angeles 1982-1992. But Lindsay and Martin (Undefeated) have also assembled a fair amount of rare and never-seen footage, much of it culled from on-the-scene camcorders, and a lot of it utterly unbelievable (e.g., the blood-soaked nightmare at the intersection of Florence and Normandie, or the man coolly lighting palm trees on fire as he strolls down a lawless street).