Listen to Me Marlon (2015; Stevan Riley) GRADE: A- By Daniel Barnes “Raw and Deeply Personal” Contrary to the didactic self-inflation and conclusion-based approach of Best of Enemies, Steven Riley’s stunning documentary Listen to Me Marlon practically bursts with a sense of discovery. It shows new sides to […]
Meet Marlon Brando (1965; Albert and David Maysles) Grade: B By Mike Dub In the introduction to last year’s ESFS Festival about the “Dark Ages” of Marlon Brando, we discussed the unrelenting stream of box office bombs that afflicted Brando throughout the 1960s. Hamstrung under a difficult contract […]
Burn! (1969; Gillo Pontecorvo) Grade: B+ By Mike Dub Throughout the 1960s, Marlon Brando became increasingly active in social issues. Though his popularity was plummeting, he sought to make art that was relevant to the changing cultural landscape. The Ugly American (1963) is a well-intentioned (though drab) warning against […]
The Night of the Following Day (1968; Hubert Cornfield) GRADE: D- Inert, pretentious, would-be nail biter featuring Marlon Brando in his weird, pre-Godfather down period as a hepcat kidnapper. He pairs with Mafia hard man Richard Boone to snatch and ransom the daughter of a wealthy American businessman. […]
The Chase (1966; Arthur Penn) GRADE: B+ By Daniel Barnes In most if not all of his best roles, the Nebraska-born Marlon Brando was an easy avatar for everything anti-heroic about America. A Streetcar Named Desire and The Wild One boosted him to prominence as a post-WWII, hyper-sensitive […]
One-Eyed Jacks (1961; Marlon Brando) Grade: B By Mike Dub As the 1950s drew to a close, Marlon Brando was about to enter the next decade about as hot as anyone has ever been. In the seven years leading up to his directorial debut (and finale), One-Eyed Jacks, […]
