The Big Wedding (2013; Justin Zackham) GRADE: F By Daniel Barnes It is important to note that I was dared to watch The Big Wedding by my father, Walter Barnes, Jr. Besides being a wonderful Dad, my father is a huge movie fan, and his early influence is […]
Film critic, podcast host and member of the San Francisco Film Critics Circle.
Youth of the Beast (1963; Seijun Suzuki) GRADE: A- By Daniel Barnes “Irreverent Energy” Youth of the Beast is the first movie I have seen from Seijun Suzuki, the Japanese director best known for flashy crime films like Branded to Kill and Tokyo Drifter. I am eager […]
L’ECLISSE (1962; Michelangelo Antonioni) GRADE: B- By Daniel Barnes As much as Antonioni stripped the narratives of L’Avventura and La Notte down to their bare essentials, those films had natural forward momentum and classic narrative shapes. L’Avventura takes on the basic structure of an unsolvable, Laura-like mystery, while […]
Antoine and Colette (1962; Francois Truffaut) GRADE: B+ By Daniel Barnes Every month in our Time of the Season feature, we will be offering seasonal movie suggestions based on a common theme. In honor of Valentine’s Day, our February Time of the Season theme is “First Love.” It’s […]
Exit to Eden (1994; Garry Marshall) GRADE: D- By Daniel Barnes *Originally published on The Barnesyard blog on October 20, 2005. If nothing else, Exit to Eden is an example of how attempting to play to every demographic will only wind up making everyone unhappy. The film is […]
Schizopolis (1996; Steven Soderbergh) Grade: A By Daniel Barnes Although nearly forgotten in the Soderbergh oeuvre, the playfully piercing absurdist comedy Schizopolis is his most personal and original work. Intensely aware of and yet utterly freed from cinematic conventions of storytelling and style, Schizopolis is like the product […]